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13 UMMA Objects
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Jack Tworkov
Untitled
1962
Gift of the Marvin Felheim Collection
1983/1.307
This vertical print has a large spiky form on the right in the foreground, looking like a cross between a cactus and a man, and a smaller, floating spiky form in the upper left quadrant, farther back in space. The artist left ink on the plate so that some areas between and around the spiky formations are slighly shaded.
Frank Cassara (American (North American))
Formations
1955 – 1965
Gift of the Estate of Helen B. Hall
1996/2.60
This abstract painting consists of a dark background over-taken by swaths of blues, whites, and greys, areas of a dark purple color in the upper right corner, and one splatter of red towards the upper left. Throughout the painting, thinner outlines of white, greys and blacks form abstract shapes. 
Gerome Kamrowski (American (North American))
Buschwood
1950
Gift of Miriam Sandweiss
2003/2.67
A series of multi-colored lines, weaving and twisting, on a white background in a scribbled manner.
William Saroyan
Sun June 2 Fresno #2
1968
Gift of the William Saroyan Foundation
2007/1.94
Abstract composition with blue, red, yellow, and black lines and shapes. Many of the lines appear to be frantic and scribbled. Some of the lines appear to form capital letters like D, E, and B. There could be a face on the right side of the paper with one black and one red eye and yellow hair and a yellow nose. 
Horst Antes
Untitled
1955 – 1965
Gift of Herbert Barrows
2000/2.260
A print folded in half vertically, with a drawn horizontal line bisecting the fold. <br /><br /> EC 2017
Robert Whitman
Untitled, from "The New York Collection for Stockholm: 30 Artists"
1973
Gift of Mr. Robert Rauschenberg
1976/2.133
This painting shows an abstract composition, created with thick, overlapping lines in semi-opague blue paint on paper.
Agnes Barley (American (North American))
Untitled (Monochromes Blue)
1999 – 2009
Gift of Pearson and Robert Macek
2015/2.18
An abstract composition with overlapping quadrilateral shapes in shades of pink against a red and orange striped background. It is composed so that the images seem translucent and stacked in space, appearing 3-dimensional.
Julian Stanczak (American (North American))
Dedicated
1971
Gift of the Estate of Richard H. Shackson
2015/2.25
An abstract composition with yellow and orange overlapping quadrilateral shapes on a dark orange and yellow striped background. The seeming translucency of the shapes in the composition make them appear 3-dimensional.
Julian Stanczak (American (North American))
Dimensional
1971
Gift of the Estate of Richard H. Shackson
2015/2.27
This photograph of wet sand shows grooves formed in the sand by wind or water, creating canyon-like formations when viewed at this closed-in, cropped angle.
Lucien Clergue (French (culture or style))
Wet Sands
1965
Gift of Selma and Gerald Lotenberg
2011/2.160
This photograph of wet sand shows grooves formed in the sand by wind or water, creating canyon-like formations when viewed at this closed-in, cropped angle.
Lucien Clergue (French (culture or style))
Wet Sands
1965
Gift of Jeffrey and Elena Sobel
2008/2.198.4

Larry Zox
Untitled
1965 – 1975
Gift of Gilbert M. Frimet
2004/1.140
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